Hand painted skirt panels
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted skirt panels
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted skirt panels, completed
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted skirt panels, completed
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted rib cage on nude mesh leotard.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted rib cage on nude mesh leotard, completed.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted rib cage on nude mesh leotard with dancer portraying Death wearing it.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Nude unitard before airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Hand painted skirt panels
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted skirt panels
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted skirt panels, completed
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted skirt panels, completed
Love in the Times of Day
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Wings created with feather lace and hand cut feathers on mesh.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted rib cage on nude mesh leotard.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted rib cage on nude mesh leotard, completed.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Hand painted rib cage on nude mesh leotard with dancer portraying Death wearing it.
The Mariner
Carolina Ballet, 2019
Choreographed by Robert Weiss
Nude unitard before airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael
Nude unitard with airbrushing and hand painted treatment.
Frankenstein
Carolina Ballet, 2019
Choreographed by Zalman Raffael